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New Arrivals

    Tobi-Ishi Striped Marble

    Edward Barber & Jay Osgerby

    In its ten years of life, the Tobi-Ishi table has become a true icon of international design. In all its variations, it retains the strongly sculptural feel defined by the three elements that compose it, inspired by the “flying stones” that dot the pools of water in Japanese gardens. This peculiar balance of solidity and lightness also appears in the new limited and numbered edition of only 500 pieces made of strips of white Carrara and green Alpi marble with a very manual and sophisticated crafting technique, which requires slow and skillful processes, making it precious.

Tables

Tables

    Alex

    Antonio Citterio

    Alex is a series of tables in various sizes, distinguished by the pronounced design of the sectional frames in large, lenticular shapes. Three shapes and different sizes: rectangular in three lengths, round and square. The “sawhorse” frame connected with the crosspiece is made of hard polyurethane with metallic drawn inserts in glossy or satin colours of the B&B Italia collection. There is a wide range of finishes of the tops, from wood to satin or glossy finishes, from marble finish to mirror glass. The round version allows the possibility of positioning at the centre of the table a round swivel tray.

    Allure O’

    Monica Armani

    Il tavolo Allure O’ si presenta come un sentito omaggio al glamour riletto in veste contemporanea. La forza garbata del suo design si legge chiaramente nella forma del piano, in equilibrio tra il controllo delle linee rette e la sinuosità delle curve. Un gioco di geometrie ellittiche che richiama lo specchio Madison, disegnato da Monica Armani nel 2017, rinnovando il riferimento alle forme degli iconici occhiali indossati da Jackie O

    Finishes:

    Top and Base Finish in Glossy Tobacco

    Athos ’12

    Paolo Piva

    Il tavolo rettangolare Athos ‘12 si presenta in due lunghezze, sia in versione fissa sia allungabile, quest’ultima caratterizzata da un meccanismo invisibile che permette di ampliarlo per ospitare fino a dodici persone. La struttura metallica a V regge il piano di forte spessore ammorbidito dalle raggiature sui bordi ottenute con un complesso procedimento di fresatura grazie al quale la venatura del legno mantiene uniformità sull’intera superficie.

    Blitz

    Mario Bellini

    A sculptural and unexpectedly powerful table produced in a limited and numbered edition of only 100 pieces, Blitz stands out for its flat, slim, geometric external frame, which finds its natural completion in the curved and sinuous shapes of the interior, revealing aesthetic and constructive solutions reminiscent of a suspension bridge

    Bull

    Naoto Fukasawa

    The Bull table communicates the immediate impression of a very object thanks to the legs with an ample round section, which although slightly inclined seem to be solidly “planted in the ground”, and in contrast a slim top that seems simply to be resting lightly on the frame. Available in two sizes, Bull can be entirely in oak wood or with an oak structure and top in marble.

    Eileen

    Antonio Citterio

    Table and console are classics today with their versatile features (wood or lacquered, as desired), the elegance of the rounded top and the strong profile of the base with its cross-shaped motif. They are the expression of refined aesthetics that combine well with other products.

    Lens

    Patricia Urquiola

    The result of the study of transparent surfaces that are rich in special effects, it is inspired by the kaleidoscope, by the glass panes of 18th century Venetian palaces, and produces optical effects: the top of the table Lens was obtained through the coupling of two glass sheets with a special internal film to enhance surface depth. The elegant supporting frame is made of white painted metal.

    Link

    Jakob Wanger

    A single piece, moulded and continuous, with no joints, exploits the properties of Cristalplant® to achieve a very smooth and soft material effect. Available only in one colour, blinding bright white.

    Mirto Indoor

    Antonio Citterio

    A square variant and three rectangular tables.These are the different versions of the Mirto table, initially designed for outdoor use it has now found inside with its precise formal appearance. The components are characterized by a simple design of reduced thickness that offers specific details and a wide array of materials and finishes. The table tops range from the reflections of glass to compact marbles onto the different grains and colours of wood. The combinations of structure make for a variety of solutions, also including monochromatic black and white.

    Oskar

    Vincent Van Duysen

    The Oskar table, Vincent Van Duysen embraces the more architectural tradition of furniture design, both considering the experience of the masters and presenting its own distinctive piece that can dialogue with the space around it. In its most iconic version, the top in cathedral glass with irregular surface and light green colour perfectly matches the lacquered legs in glossy emerald green. Oskar is available in three sizes: two rectangular and one square.

    Parallel Structure

    Michael Anastassiades

    Two imposing aluminium bars joined by two side supports is the concept for the first table designed by Michael Anastassiades for B&B Italia. A basic structure with a minimal and essential vision – a concept that becomes an object. The search for extreme simplicity is often accompanied by the need to find cutting-edge technical solutions, and Parallel Structure is the perfect example. To respect the project’s purity, great attention was paid to the detailing of the joins, the relationship between cleanliness of form and structural elements and the combination of different materials. The legs are in solid wood, while the side supports – architraves connecting the coloured aluminium bars – hide a metal core, necessary to provide solidity and greater visual lightness to the structure. The collection includes two sizes and tops in different materials: Canaletto walnut and four variants of oak – light, grey, black and smoked – for a choice that favours minimal aesthetics or glass, which enhances the beauty of the engineering process through transparency. This table creates a pure and monolithic presence, where apparent simplicity erases all that is superfluous. Starting from its name, Parallel Structure is a product that naturally brings an architectural approach to the design world.

    Seven

    Jean-Marie Massaud

    Three uneven sides are an alternative to the traditional layout. Designed to seat 7, in the formation 3+2+2. The appearance changes depending on the wood or lacquer finish but the pattern of the three-branch structure emerges on the top’s surface creating a graphic decoration to contrast with or match the colour of the top.

    Finishes:

    Brushed Light Oak Top and Slate Black Painted Base

    The Table

    Monica Armani

    Pure, rigorous, basic: the design makes them ideal for a wide range of spaces and furnishing situations, also with an extensive choice of materials and sizes. It is characterized by precise formal synthesis and care for details.

    Tobi-Ishi

    Edward Barber & Jay Osgerby

    The name refers to the ornamental stones in Japanese gardens, which have inspired the components of Tobi-Ishi. It converges both functional features and a statuesque appearance with amazing results. The overhanging top and bases look different depending on the viewpoint, while the various finishes endow the table with highly personal interpretations: from cement to marble and lacquer in the sophisticated hues of red candy and blue smoke.Originally round in shape, it is now presented in larger version with a rectangular top tapered at the ends, the range of finishes is also expanded with 16 satin lacquered finishes, for both the round and the new rectangular version, joining the two glossy lacquered finishes Candy Red and Smoke Blue and the original cement finish.

    Tobi-Ishi Striped Marble

    Edward Barber & Jay Osgerby

    In its ten years of life, the Tobi-Ishi table has become a true icon of international design. In all its variations, it retains the strongly sculptural feel defined by the three elements that compose it, inspired by the “flying stones” that dot the pools of water in Japanese gardens. This peculiar balance of solidity and lightness also appears in the new limited and numbered edition of only 500 pieces made of strips of white Carrara and green Alpi marble with a very manual and sophisticated crafting technique, which requires slow and skillful processes, making it precious.

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