Small Tables
Alanda ’18
Paolo Piva
The Alanda coffee table, an iconic piece that ushered in the 1980s, is now revisited in homage to Paolo Piva, the great architect and designer who passed away last year. A highly successful classic and sought-after vintage furnishing complements, Alanda is one of the most typical design objects of a period with a wealth of strong, daring stylistic signs, often in a dialogue with architecture, reproducing its most attractive, characteristic elements in miniature. The Alanda’s structure, serving as both pedestal and support, recalls a group of upturned pyramids, a geodetic frame that has always characterized it as if it was a magical object, entrapping and amplifying cosmic energy. Alanda ‘18 is offered in two sizes – 120 x 120 cm and 120 x 180 cm – with structure in glossy black painted steel and top in extra light or smoky glass.
Finishes:
Smoky Glass Top and Glossy Black Painted Frame
Area
Paolo Piva
Low table to be used in the conversation area with the dual role of convenient surface and seat, by exploiting its soft portion. The small ottoman forms the set with a consistent graphic spirit.
Awa
Naoto Fukasawa
Elegantly asymmetrical table designed to be placed next to the sofa or the bed. The plastic shape exploits the properties of Cristalplant®, a refined and sensual material with a soft touch surface that is also strong and extremely practical.
Button Tables
Edward Barber & Jay Osgerby
Multipurpose tables with lacquered cylindrical bases that taper in slightly at the bottom smoothing out their geometry. There are two oval variants accompanied by a third with a round shape. All have a marble top with a raised edge resembling a tray. A formal exercise is created through the combination of different materials, the contrast between the hardness of marble, soft design and minimal details giving the illusion of imperceptible movements of form.
Colosseo
Naoto Fukasawa
Colosseo fits smoothly into the highly successful product category of accessories, furnishing elements that change function according to occasion and need, and for Colosseo this means transforming from coffee table to pouf. When designing this new product, Fukasawa arrived at the shape he was searching for by considering a solid in the form of an upside-down truncated cone, lightened by arch-shaped grooves that define the surface, creating an assonance with the structure of the famous Roman arena it is named after. Made of hard polyurethane painted in sixteen glossy colours, Colosseo is available in two sizes: 40 cm diameter x 45 cm height and 50 cm diameter x 55 cm height.
Cozy
Antonio Citterio
Designed to accompany the Husk bed, it is useful in domestic environments with its design based on a circular metal tray lightly resting on solid die-cast supports. Painted white or black, the top also has a copper finish as homage to an ancient material that was once associated with classical aesthetics, and which has been revisited today with modern sensitivity.
Diesis
Antonio Citterio and Paolo Nava
An evergreen like the sofa, which inspires its die-cast aluminium supports. Three versions, two impressive even in term of size; the other lighter with two tops, one in transparent ground glass and the other covered with leather.
Finishes:
Carrara White Marble Top and Bright Brushed Aluminum Frame
Transparent Glass Top, Thick Leather Saffiano Natural and Bright Brushed Aluminium
Dock
Piero Lissoni
The Dock system is accompanied by a series of complementary elements. A large low table in two sizes becomes a generously sized platform. Rectangular or square, it has the same design and finish as the sofa base Canaletto walnut, light, grey, black and smoked oak.
Eileen
Antonio Citterio
Multipurpose tables with one or two tops in different heights and a sophisticated playful spirit depending on the finishes. There are many graphically powerful combinations of surfaces and frames: marble, wood, glass and lacquer for the former, chrome and varnish, even coloured, for the latter. Various interpretations make them the ideal choice for several settings that can be either rigorous or dynamic.
Fat-Fat
Patricia Urquiola
The theme of the tray is picked up to create three tables, whose lightness results from the steel frame. A fourth model, which is higher than the others, offers an extremely convenient surface when placed by the sofa. Fat-Fat side table can even be stacked.
Finishes:
Top Finish in White Statuary Porcelain Stoneware
Frame Finish Anthracite Painted
Fat-fat
Patricia Urquiola
The theme of the tray is picked up to create three tables, whose lightness results from the steel frame. A fourth model, which is higher than the others, offers an extremely convenient surface when placed by the sofa. Fat-Fat side table can even be stacked.
Fat-Fat-Lady-Fat
Patricia Urquiola
Inspired by the once popular sand-filled ash trays. Hence the creation of service elements made of three variants to be used as convenient surface in various situations. The internal compartment can be used as a container by lifting the trays, while the external fabric and leather covers come in a wide range of colours.
Formiche
Piero Lissoni
Lightness and simplicity distinguish Formiche (Ants in English) complements. The slender support FRAME (making reference to the name), with its shape and finish, picks up the theme of the feet in the sofa system. The rounded support of pewter painted steel is connected by crosspiece to support the tops in different shapes, round, oval, or “kidney bean.” Various shapes and heights make it possible to compose different support systems. The tops themselves, made of transparent extra light glass, brushed light oak, titanium finish metal, or porcelain stoneware, Calacatta white or stone grey stone, have a fine thickness of 8 mm.
Finishes:
Calacatta White Porcelain Stoneware Top and Pewter Painted Frame
Extra Light Glass Top and Pewter Painted Frame
Frank
Antonio Citterio
The Frank collection includes a further service element in steel that offers a wide range of finish options in neutral or bright colours. The asymmetrical position of the vertical elements enables the base to be drawn as close as possible to the seats.
Finishes:
Slate Black Painted Top and Black Chromed Painted Frame
Hive
Atelier OÏ
Ottoman and tables are combined to create an original and poetic furnishing complement. The 3D surface of the former results from the assembly of small leather “leaves,” discarded from the manufacturing process. The latter issue from a folded sheet of metal. Handcrafting skills and geometries enhance the green calling of this accessory that is inspired by the structure of the beehive.